Exploring the beauty of our ethnicity: Namrata Kumar
Her opulently dressed women in their maang-tikkas and strings of pearl, seem alive and assertive; as if they are going to pop out of the painting and ask you for...read
The First of the Bombay ‘Realists’ : Pestonji, Siodia and Dhurandhar.
The school of Bombay Realists that dominated the artistic temper of Bombay at the turn of the 19th century now remain sadly misplaced in the artistic historiography of India. Save...read
Vik Feyago, the one-man rap act behind Feyago, is a Kolkata based, music-mingling machine.
Vik Feyago, the one-man rap act behind Feyago, is a Kolkata based, music-mingling machine. With cultural influences that stretch from WuTang clan to Bob Dylan to more recently, Baul folk...read
Brandon Tay’s Facade: Digitalised Reflections and the Urban Anthropomorphic
This article is the first in a series of interviews, discussions and dialogues with St+art India.read
Can the Migrant Speak? Neeti Modgil’s The Car Wallahs
Neeti Modgil’s The Car Wallahs explores some contentious territory with regard to its subject. Living in Princess Park, New Delhi, Modgil awoke one evening to the heaving sound of objects...read
Priya’s Mirror and Priya’s Shakti: Mythology and Fantasy for a Social Cause.
Priya’s Shakti was launched in 2014, at Mumbai Comic Con, to wide and instant appreciation, winning the Tribeca Film Institute New Media Fund the same year. In its various forms,...read
Kavita Dixit’s Mohalla: Remembering Architectural Spaces in Urban Loneliness
In India Habitat Centre, currently (5th-8th February, Open Palm Court) is an exhibition dedicated to preserving the cultural memory of the mohalla as an entity, remembered by its older denizens...read